Melville’s Obituary Misspelled Moby-Dick

Herman Melville — American novelist, short-story writer, and poet — was born in New York City on August 1, 1819 and died, at the age of 72 on September 28, 1891. He is best known for his seafaring tales: Typee (1846), Omoo(1847), White Jacket (1850), Moby-Dick; or The Whale(1851), White Jacket, and Billy Budd, Sailor, published posthumously in 1891. Melville wrote many short stories, but his most famous one is “Bartleby, the Scrivener” published in 1853. But of course, the literary work that endures, because it is considered one of the Great American Novels, is Moby-Dick. Although millions of students have not read the novel from cover to cover (resorting to study guides — you know who you are), they know its first line: “Call me Ishmael.” — one of the most famous sentences in American literature.

The novel Moby-Dick was inspired by several nautical events and literary influences. The most direct influence on the novel was Melville’s 18 months of experience aboard the commercial whaling ship, Acushnet, where at the age of 21, he learned about whaling first-hand. Melville was fascinated with the stories of Mocha Dick, a giant albino sperm whale that swam the waters surrounding Mocha Island, near the central coast of Chile. Mocha Dick was extremely aggressive and sank nearly two dozen ships between 1810 and 1838, when he was killed while coming to the aid of a distressed a female whale (known as a cow) whose calf had been killed by whalers. Melville was also fascinated by the tragedy of the Essex, a whaling ship that was rammed and sunk by a large sperm whale on November 20, 1820. The crew of the Essex scrambled onto three whaleboats and drifted more than 3,000 miles, resorting to cannibalism to survive. One of the eight survivors wrote about this tragic event, publishing the Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-Ship Essex in 1821. The two major literary influences on the novel, on the other hand, were William Shakespeare and the Bible.

Unfortunately, Moby-Dick was a critical and commercial failure in its time: critics and readers did not know what to make of this lengthy (635 pages), complex, multi-layered theological, philosophical, and psychological work. As John Bryant and Haskell Springer noted in the Longman Critical Edition (2009), the language in Moby-Dick is allusive as the great white whale; the language is “nautical, biblical, Homeric, Shakespearean, Miltonic, cetological, alliterative, fanciful, colloquial, archaic and unceasingly allusive.” To quote Ahab’s own words: “That inscrutable thing is chiefly what I hate.” In his lifetime, Melville only earned about $1,259 on the sale of 3,215 copies of the novel. Unable to support himself solely as an author, Melville had to take a job as a customs inspector. By the time Melville died, most of his novels had gone out of print. When Melville died on September 28, 1891, there was barely a notice of his death and little acknowledgment of the most famous American novel. Even worse, the extremely short obituary in the New York Times misspelled Moby-Dick — can you imagine that? The obituary reads “Herman Melville died yesterday at his residence, 104 East Twenty-sixth Street, this city, of heart failure, aged seventy-two. He was the author of ‘Typee,’ “Omoo,’ ‘Mobie Dick’ and other seafaring tales, written in earlier years.” Moreover, the obituary identified Melville as “one of the founders of Navesink, N.J.”; “a civil engineer”; “a special partner in the picture-importing firm of Reichard & Co.”; “the best known criminal lawyer in Connecticut”; and “the oldest resident of the Oranges” before identifying him as an author. On October 2, 1891, the editors, perhaps feeling remorse for not giving this talented author his due, wrote a subsequent piece: “There has died and been buried in this city, during the current week, at an advanced age, a man who is so little known, even by name, to the generation now in the vigor of life that only one newspaper contained an obituary account of him, and this was but of three or four lines. Yet forty years ago the appearance of a new book by Herman Melville was esteemed a literary event.”

It wasn’t until the centennial of Melville’s birth, 1919, when American biographer and critic Carl Van Doren (his biography of Benjamin Franklin won the 1939 Pulitzer Prize for Biography) bought a copy of Moby-Dick at a used bookstore (probably for a few pennies, since the first edition cost $1.50; today, a first edition of Moby-Dick fetches up to $75,000!) and recognized his genius. Van Doren wrote: [Moby-Dick is] one of the greatest sea romances in the whole literature of the world.” This initiated the Melville revival, ushering renewed interest and in-depth study of the author and his works. The first full-length biography of Melville, titled Herman Melville: Mariner and Mystic by Raymond Weaver, was published in 1921. Over the following decades, Melville’s Moby-Dick was widely recognized as one of the Great American Novels in the canon of American literature.


If you enjoyed this essay, you might enjoy my book, Serendipitous Discoveries from the Bookshelf, based on my popular blog, Atkins Bookshelf. The blog explores the world of ideas — through books, movies, music, quotations, and the English language — for the intellectually curious. At the heart of Atkins Bookshelf is a lifelong love of books and literature; its goal is to educate, entertain, and inspire.
The book can be found here.
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President of Alexander Atkins Design, a leader in philanthropic graphic design for nonprofits & schools; author of Serendipitous Discoveries from the Bookshelf.

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Alexander Atkins

Alexander Atkins

President of Alexander Atkins Design, a leader in philanthropic graphic design for nonprofits & schools; author of Serendipitous Discoveries from the Bookshelf.

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